Sunday, 27 November 2016

hook & eye


Unchanged (inside and out) since my first visit in 1990 as a first year student at Derby University. Brings back memories of a 19 year old self.

Tuesday, 22 November 2016

magnetic

We had a steady morning and a busy afternoon in the learning studios this Sunday. As I meet and greet folk I'm near to the cutting & sticking table and get to observe children's fascination with our magnetic wall - this tot was happily moving magnets from one piece of paper to the other.

Was delighted that a couple of adults without children got to 'have a go' with the felt making process. One woman thanked me, saying 'We don't have a family so never get to participate in these activities'. Couldn't agree more, was so happy that adults without children could expand their learning with us, with me. 

art & social connections

The IYP (Integrated Youth Programme) have changed their name to the ACS (Art & Social Connections). This is their statement:

We are a group of young people who meet every Friday at The Hepworth Wakefield.

We enjoy being creative together, building skills and developing confidence and friendships.

We hope that in the future, we will use the knowledge and experience gained to help us find exciting opportunities.

a stitch in time

The Hepworth Prize for Sculpture is part of the galleries 5th anniversary celebrations and is named in honour of Barbara Hepworth. Working with young people last Friday we considered and participated with David Madalla's A Stitch in Time and created our own textile responses that shared something about our lives today. The group voted for their favourite sculpture and Phillida Barlow was the young peoples choice. 




Tuesday, 8 November 2016

we are many

My embroideries were well received at the UK's inaugural gathering for childless women in Solihull on the 29th-30th October 2016.

Branch, 2016
Hand embroidery on handkerchief that belonged to my aunt
Polyester thread, cotton

the mothership

Edit 18/06/17 
Due to my mum's illness and subsequent death in May I was unable to partake of this residency.  

I'm very excited to share that in June 2017 I'll be artist in residence at The Mothership, Dorset. The residency provides an opportunity for contemporary artists working in any media to work on a project of their choosing. The live/work studio is in an Area of Outstanding Natural Beauty, located on the edge of an ancient woodland. 

My idea involves landscape, personal history and song. During my residency I'll walk the woodland and explore the village, building a heartfelt relationship with the location. I'm keen to work with a local person who can read music, to learn folk songs collected from village residents during the last century. Songs and tunes collected from the village are kept in the Vaughan Williams Memorial Library in Cecil Sharp House, London. As well as the song, the singers and music makers names are recorded, can I find these people in the graveyard? Do their decedents live in the village? Does anyone recognise the tunes I'll bring back? Could the village residents teach me songs passed down through their families? I intend to sing these songs to the ancient woodland, the graves, sharing my findings with the wider community. I wonder at the sparks this could ignite. 

Monday, 7 November 2016

pop-up pages

Pop-up Pages - my workshop at the De La Warr Pavilion on the 26th October. Inspired by Peter Blake: Alphabets, Letters & Numbers we folded & cut paper to create pop up initials & words.

 H is for Harper

 Inspired by Peter Blake

 Pop-up initials & names

Musical youth

among the stars

Among the Stars - my workshop at the De La Warr Pavilion on the 25th October. We created floating, flying artworks - zooming paper planes, spinning paper helicopters & inflatable tetrahedrons, inspired by Fiona Banner's Full Stops & Ha Ha's. 

 Diamonds & Ha Ha

 Bird & Ha Ha

 Helicopters

Sea air inflated tetrahedrons 

dot dot dot

Dot Dot Dot - my workshop at the De La Warr Pavilion on the 24th October. Working alongside a group of charming & inventive children who shared thoughtful responses & created beautiful sculpture.

 Spinning full stop!

 Platonic solid sculpture

 Fiona Banner: Buoys Boys & the children's responses

 "I've learnt about making 3D shapes"

"I've learnt how to make a sphere"

drawing them in

STEAM Powered Big Draw weekend at the De La Warr Pavilion in Bexhill-on-Sea!

During the weekend of the 22nd/23rd October we welcomed 270 participants of all ages into the studio & invited them to explore science, technology, engineering, art & maths. There were happy faces as inspired folk made & drew in seriously inventive ways. 

 Studio & view finder inspired by Fiona Banner's Ha Ha

 Pen robot

 Pen robot & spinning pens

Icosahedron still life slow geometry

Wednesday, 21 September 2016

STEAM Powered Big Draw Festival at the De La Warr Pavilion

Yesterday I ran a session for teachers/creative practitioners at the Hastings Museum & Art Gallery during the Hastings & Rother Arts Education Network meeting. I'm working for the amazing De La Warr Pavilion in Bexhill, creating activities for the STEAM Powered Big Draw Festival (Science, Technology, Engineering, Art & Maths). We are offering a twilight CPD session for teachers on the 3rd October, 4pm-6pm, covering classroom activities, curriculum links & teachers notes using STEAM & Fiona Banner's Buoys Boys exhibition as stimulus.

Join us for the STEAM Powered Big Draw Festival drop-in, running Saturday 22nd & Sunday 23rd October from 12 noon - 4pm. 

 Drawing machines

Spin drawing

Lets go on a shape hunt!

 Engineered to perfection

Experimentation

  One minute to create a drawing machine - GO!

ink & acrylic paint

Submitted these paintings for the 2016 Open at The Old Station Gallery in Rowsley and they were accepted. 27 artists are exhibiting from the 24th September to 26th October. 



stitch

I've been stitching for months! In June I posted about the second embroidery in the series of four, feeling that the butterfly fabric had made the piece too cheerful. This feeling persisted while working on the third embroidery and when finished I restitched the second onto a plain handkerchief and was happy with the result.

I'm currently working on the fourth and final stitched drawing and aim to finish on the last day in September. This, as yet untitled series is to be box framed in oak and exhibited at the We Are Many Conference for childless-by-circumstance woman in Solihull 29th-30th October. Here is the text that accompanies the work: 

Landscape, family history and slow textile process meet within Karen’s practice. Showing at the We Are Many Conference is a new body of work, hand sewn handkerchiefs that belonged to her Auntie Jessie, some stained with use, all lovingly washed and ironed. The woodlands depicted are far from suburbia in parts of Derbyshire much walked by the artist, unpeopled sites with clear and hidden pathways, places between places where girls in red cloaks could encounter the wolf. 

For Karen these stitched drawings depict a particular solitude, a particular grief: grief for an imagined family. Alone and unsure of the path how do we move forward? What awaits beyond the woodlands edge? Can we see the wood for the trees? Karen takes her place alongside women who walk solo, who claim the rocky path, the quiet woods as theirs. Striding forward with reserves of inner strength, resourcefulness, sensitivity and intelligence while baring witness to the beauty in self and beyond. 

Karen lives in London and has an MA from Goldsmiths College, The University of London. Within her practice she is drawn to deepening meaning and value to overlooked textiles and textile processes, usually within forlorn sites: the graveyard, the underpass, the suburban woodland.

 Second attempt on the second embroidery - happy with this one

Fourth and final embroidery in the (as yet) untitled series

Saturday, 27 August 2016

answers on a postcard

Joanna Rucklidge invited me to create a lowercase 'y' for Like-Letters, an exhibition at the Sheffield Institute of Arts this autumn. The brief was to respond to the design of the letter before mine (x) using yellow, red and blue. After a couple of false starts I stitched into the early hours and created this! 


Reverse of card (hidden when stuck to another postcard for sending)



E11 to S1

Tuesday, 26 July 2016

PLAY / GROUND - ritual & intention

This workshop provided an opportunity to explore the forest site in considering ritual, consciousness and voicing intention. Participants were invited to hunker down, breathe in the space, to listen, to tune in/tune out and quietly ask, What do I need more of in my life? Using materials found onsite objects were assembled to represent desires and our ritual was completed by writing intentions on rice paper which was buried or placed meaningfully within the holly grove. 

Rice paper, made of potato starch and water would dissolve in the coming days, our written/drawn intentions melting into the forest floor. Our actions retained as memories accompanying us beyond the woods and into everyday life, I wonder if thoughts have returned to the forest site since, mine have.

The Leytonstone Arts Trail 2016 focused mine and Siobhan Davies collaboration, both of us testing ideas and playfully pushing boundaries. PLAY / GROUND is an ongoing invitation for others to invent happenings and adventures in E11.

Invitation

 Path

 Listening & mark making

 Object of desire




Interventions & tweaks within the space

tread & thread

The second, in an as yet untitled series of four embroideries on handkerchiefs that belonged to my aunt. This particular handkerchief is decorated with butterflies and now the piece is finished I see they add too much cheer but I'm loathe to unpick them... The images are taken from photographs of woodland paths in Derbyshire. Today, while writing about walking I connected the words tread and thread for the first time. 




Wednesday, 20 July 2016

summer term - year 5 at drew primary

My final half term at Drew Primary School was spent with the y5 pupils, so I ended my year as I began, in their classrooms. The city of London inspired our art exploration and Drew's young Londoners studied the iconic Tube map, considered our connections to the rest of the world from London City Airport (situated next to the school) and used memories and experiences to add depth to their work. We drew, painted, mark made, cut, collaged, looked, listened, learned tricks, short cuts and creative techniques, rising to the challenge of each activity.

My two years at Drew Primary have been full of learning, I've enjoyed working with the whole school and it's been a privilege to open the doorway into art/thinking/expressing/connecting with these precious children, the future creators of our city, our world. Thanks for having me!

 The London Eye in vibrant ink

 Firework!

 Tuning into our surroundings

 Mass drawing of London City Airport DLR station

 London landmarks

 Bold painting