Showing posts with label Linocut. Show all posts
Showing posts with label Linocut. Show all posts

Saturday, 22 February 2020

essex hawthorn

Beginning to organise my work for Print Fair 2020 at Nottingham Contemporary in March. A gang of us from Haarlem Artspace will be there - come and say hi.

My Essex Hawthorn linocut is of a tree I sat under as a child, I remember colouring in my flower fairy book under its branches. This memory is so vivid because I developed a painful migraine that afternoon and spent the rest of the day in the back bedroom with curtains drawn...

When I left London in 2018 and knew I'd not be walking past the tree anymore I took photos and created the linocut in Derbyshire, bridging then and now.

At times I doubt the impact my work may have, but had this challenged recently when a friend who'd bought a print said she has it above her desk and looks upon it daily. She uses the work as a gentle reminder about keeping healthy boundaries and this practice has had a deep effect in her life.

The hawthorn is adaptable and an amazing boundary keeper. When cut and tended it becomes an abundant hedgerow for wildlife and container of livestock and if left to its own devices grows into a beautiful gnarly tree. In either form it has leaves you can eat, May blossom and edible berries).

Hawthorn is my favourite tree and before we know it she will be signalling her presence in the hedgerow with her May blossom - white firework flashes that are particularly enjoyable from a speeding train window.

Friday, 10 May 2019

belper arts trail

My first arts trail went fantastically. Visitors were so positive and I enjoyed many interesting conversations about linocut, print, dry stone walling and hedge laying. I sold a good number of prints, and it's heart warming knowing my work depicting local landscape is in local homes.

Below are images of my stand, showing inspiration, linocuts and prints of various sizes and colours. If you would like any further information or wish to purchase a print, please contact me at hello@karenlogan.com.

 Sketchbook & linocut

Boundary lino prints

 Square lino prints

 Peak Tor & Essex Hawthorn lino prints 

Tuesday, 30 April 2019

limited edition linocut series - it's all about the boundaries...

My boundary linocut series will be available for sale at the Belper Arts Trail on Sunday 5th and Monday 6th May. I'll be exhibiting at Attic Batik next to the Market Place on the Upper Trail. 

Limited edition of 25 each on either white or soft white (cream) Somerset satin 100% cotton 300gsm paper.

Dry Stone Wall/Cromford

Hawthorn Hedgerow/Bakewell 

 Dry Stone Wall/Castle Top

 Hawthorn Hedgerow/Matlock 

Wednesday, 23 January 2019

the first cut is the deepest - limited edition linocuts

It's all about the boundaries...

Since moving to Derbyshire last Autumn I've become fascinated by the dry stone wall and hawthorn hedgerows that delineate the landscape. Within my current aa2a (artists access to art colleges) residency at Derby University I'm re-exploring linocut and print as I consider these edges/boundaries and what they represent to me personally. 

My linocuts received such a positive response on social media that I decided to offer them as a limited edition... If you would like to buy either a dry stone wall or hawthorn hedgerow print please email me at hello@karenlogan.com. 

There is a choice of paper, white gives a bright contrast to the black print, soft white is actually a pale cream colour and echos the faded paper of my childhood fairy tale book (see below).
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Price per print: £65

Prints are supplied unmounted & unframed, each print is backed with cardboard & wrapped in cellophane

P&P within the UK: £10 
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Specifics:

Edition: 25 of each linocut on either white or soft white paper (please choose)

Print size: 15.2cm x 20.3cm

Paper size: 28.5cm x 37.5cm (a touch under A3)

Paper: Somerset Satin 100% cotton 300gsm

Ink: Dense black

Hand printed in Derbyshire on an 1886 Albion press


Somerset soft white (pale cream)


 Somerset white


Somerset soft white (pale cream)


 Somerset white
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Alison Uttley was born in Cromford, Derbyshire in 1884. I loved this Fairy Tales book as a child and still do. I'm hoping, within my linocuts to echo the illustrations by Ann Strugnell, they had a deep effect on little Karen and set me up to see the magic and wonder within the everyday and familiar.


The Bird of Time

The Field that Didn't Wish for Company

One-Strand River

Thursday, 17 January 2019

testing testing 1 2 3...

The world of linocut is opening up to me... Was thrilled with the print quality from my first two linocuts below. I'm learning about papers, rolling out ink, inking the lino and registering the print. There are simple tricks to help with this and the t'internet provided fruitful search results - particularly Nick Morley at Linocut Boy. I'm now coveting a set of Pfeil tools plus this little beauty and will be borrowing Linocut for Artists and Designers by Nick from Derby Universities library.

I've been using such basic tools, I wonder at what could be achieved with grown up tools!

This Monday (21st Jan) I'll be in the printmaking studio at Derby University bright and early to hand print a limited edition of 25 of each lino on lovely, heavyweight Somerset satin paper. I've had a positive response on social media, so I'll see if this turns into sales. 

It's all about the boundaries...

Dry stone wall (A5)


 Hawthorn hedgerow (A5)


 1st print on newsprint

Varied papers

 1st print on newsprint

 Varied papers